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QWERTY 8 Agrégation - QWERTY CAPES 4

QWERTY 7 Agrégation - QWERTY CAPES 3

QWERTY 6 Agrégation - QWERTY CAPES 2

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Qwerty 8 - Agrégation

BEOWULF

- Allen J. Frantzen (Loyola University, Chicago): "In the Background: Beowulf, Sex, and Gender"
- Colette Stevanovitch (Nancy II): "Beowulf maÝelode, bearn EcgÝeowes [Beowulf prit la parole, fils d'Ecgtheow]: les formules d'insertion de tirade dans Beowulf"

THOMAS MORE ET L'UTOPIE

- Alain Bony (Universite Lumiere-Lyon II): "Ideologie et narcissisme: la place de l'Utopie"
- Claude-Gilbert Dubois (Universite Michel de Montaigne-Bordeaux III): "L'invention de societe fictives: imaginaire de l'utopie au XVIe siecle"
- Damian Grace (University of New South Wales, Sydney): "Knowledge and Politics in More's Utopia"
- Germain Marc'hadour (Amici Thomae Mori/Moreanum, Angers): "Raphaël Hythlodee: le portugais decouvreur de l'Utopie"
- Rebecca Totaro (University of Massachusetts, Amherst): "Bubonic Plague in Utopia and Old World Implications"

WILLIAM SHAKESPEARE

- Roy J. Booth (Royal Holloway College, University of London): "'All is imaginary she doth prove': Kissing in Venus and Adonis"
- François Laroque (Universite Paris III-Sorbonne Nouvelle): "Les mysteres d'Adonis"
- Anne Owens: "Shakespeare's Venus and Adonis, or Love's Labours Lost (The Cultural and Visual Contexts and Beyond)"
- James Schiffer (Hampden-Sydney College): "Shakespeare's Venus and Adonis: Flower of Desire"

WALTER SCOTT

- Michael Hollington (Universite de Toulouse-Le Mirail): "Some Versions of Wavering in Scott's Waverley"
- Sylvie Kleiman-Lafon (Universite de Picardie-Jules Verne): "L'image de l'Ecosse dans Waverley"
- Louise M. Miller (University of New South Wales, Sydney): "The 'One Addition': Waverley's Double Portrait"
- Pierre Morere (Universite Stendhal-Grenoble III): "La quête identitaire dans Waverley de Walter Scott"

HENRY JAMES

- Gert Buelens (Flanders Research Foundation/University of Ghent): "Metonymy and Mimesis in The Portrait of a Lady. Or: How Osmond Secures Isabel"
- Tony Dunn (University of Portsmouth): "The Three Isabels: The Portrait of a Lady (1881, 1908, 1996)"
- Donatella Izzo (Istituto Universitario Orientale, Naples): "Setting a Free Woman Free: The Portrait(s) of a Lady"

MARGARET ATWOOD

- Karen Macfarlane (Wilfrid Laurier University): " 'Fence-Climbing Sisterhood': Reading The 'Escaped Nun' Intertext of The Handmaid's Tale"
- Catherine Mari (Universite de Pau et des Pays de l'Adour): "Temps et dystopie dans The Handmaid's Tale"
- Jagna Oltarzewska (Universite de Paris X-Nanterre): "Trauma and Testimony: the Status of Witnessing in Margaret Atwood's The Handmaid's Tale"
- Hilde Staels (Universiteit Leuven): "The Eclipse of 'the Other Voice': Margaret Atwood's The Handmaid's Tale"
- Peter G. Stillman (Vassar College): "Public and Private in Margaret Atwood's The Handmaid's Tale and Bodily Harm"

LA NAISSANCE DE L'IDEE DE TOLERANCE AU XVIIe SIECLE

- Leslie Armour (University of Ottawa): "God, Nature, and Toleration: Pluralism at Saumur and Glasgow"
- John Coffey (University College London): "Restoration Quakers and the Theology of Tolerance"
- Laurent Jaffro (Universite de Paris I-Pantheon Sorbonne): "La double defense de Locke dans la Lettre sur la tolerance"
- Norman Simms (University of Waikato): "Tolerance and Assimilation in Restoration England: The Case of the Jews"
- Luisa Simonutti (CNR, Milano): "Un acteur et temoin du debat sur la tolerance: William Popple, marchand, ecrivain et poete de la liberte"

LES ANNEES WILSON (1964-1970)

- Valerie Auda-André (Universite de Provence, Aix-Marseille 1): "L'Europe, 'a Home of Last Resort'"
- Paul Brennan (Universite Paris III - Sorbonne Nouvelle): "Northern Ireland, a Place Apart"
- Monica Charlot (Universite Paris III - Sorbonne Nouvelle): "Devaluation: the Economic Record of the Labour Party, 1964 - 1970"
- Bernard D'Hellencourt (Universite Paris III - Sorbonne Nouvelle): "Immigration et politique dans les annees Wilson - trois élections et un enjeu"
- Janie Mortier (Universite de Paris XIII): "L'âge d'or de l'Arts Council ou comment faire une politique sans le dire"
- Michael Parsons (Universite de Pau et des Pays de l'Adour): "Harold Wilson and the Rhodesia Crisis: Principle or Pragmatism?"
- Brendan Prendiville (Universite de Poitiers): "Youthquake: Youth Movements during the Wilson Years"
- Pascale Vilatte-Compton (Universite de Tours): "Cultural Change in Wilson's Britain, 1964-1970"

LES MEDIAS AUX ETATS-UNIS

- Francoise Clary (Universite de Rouen): "La politique d'affirmative action et l'industrie des medias"

Qwerty CAPES 4

WALTER SCOTT

HENRY JAMES

MARGARET ATWOOD

LES ANNEES WILSON (1964-1970)

Qwerty 7 - Agrégation [on British civilisation go direct to: Société anglaise pendant la Seconde guerre mondiale and La question republicaine en Australie]

WILLIAM SHAKESPEARE

Anny Crunelle-Vanrigh: (Université de Valenciennes): "'What a Case Am I in Then': Hymen and Limen in As You Like It"
Anne Owens (Montpellier): "As you Like It, or the Anatomy of Melancholy"
Rebecca C. Totaro (University of Massachusetts, Amherst): "Shakespeare's Fortunate Travellers: As you Like It and Nashe's Unfortunate traveller"

GEORGE HERBERT

Coburn Freer (University of Georgia): "'George Herbert's 'Miserie': As if None Knew but He"
Claudine Raynaud (Université François Rabelais - Tours): "'Blood, Ink and Sin': Writing Sacrifice in The Temple"

DANIEL DEFOE

Anne Dromart (Université Jean Moulin - Lyon III): "Moll Flanders l'héroïque"
Tony Dunn (University of Portsmouth): "Moll Flanders: Body and Capital"
Louise M.Miller (University of New South Wales): "Moll Flanders: the Fortunate Female Houdini"
Norman Simms (University of Waikato, Hamilton, New Zealand): "A Plain Conviction to the Contrary: Moll Flanders' Name and Other Lies"

KATHERINE MANSFIELD

Élisabeth Lamy-Vialle (Université Paris XII-Créteil): "Le corps absent: travestissement et fragmentation dans les nouvelles de Katherine Mansfield"
Tim Marshall (University of East Anglia): "Death and the Abyss: the Representation of Pauperland in Katherine Mansfield's Life of Ma Parker"
Victor Sage (University of East Anglia): "The Unmasking of the Reader: Varieties of Epiphany in Katherine Mansfield's Late Fiction"
Maria Tang-Campon (Université de Paris X-Nanterre): "'Something that's There ... to be ... not There': Food as Matter and Metaphor in Katherine Mansfield's Selected Stories"

JEAN TOOMER

Kathie Birat (Université de Metz): "'Giving the Negro to Himself': Medium and 'Immediacy' in Jean Toomer's Cane"
William Dow (The American University of Paris): "Jean Toomer's Cane and Winesburg, Ohio: Literary Portraits From the 'Grotesque Storm Center'"
Nathan L.Grant (SUNY, Buffalo): "Sacrifices of Self and Voice in Jean Toomer's 'Kabnis'"

N. SCOTT MOMADAY

N.Scott Momaday / Joëlle Rostowski: "Looking Back: House Made of Dawn as the Portrait of a Lost Generation "(An Interview with N.Scott Momaday, 17 August 1997)
Robert Bennett (University of California, Santa Barbara): "The Artist as Shaman: Ritual, Healing, and art in N.Scott Momaday's House Made of Dawn"
Susan Castillo (University of Glasgow): "Naming into Being: Ethnic Identities in N.Scott Momaday's House Made of Dawn"
Mireille Hardy (IUT Cherbourg-Manche): "'A small Silversided Fish': from Dislocation to Relocation in House made of Dawn"
Alan R. Velie (University of Oklahoma): "Identity and Genre in House made of Dawn'"

HANIF KUREISHI

ÉmilienneBaneth- Nouailhetas (Université de Paris III-Sorbonne Nouvelle): "Karim / Kim: Mutations kiplingiennes dans The Buddha of Suburbia"
Bart Moore-Gilbert (Goldsmiths College, University of London): "Hanif Kureishi's The Buddha of Suburbia: Hybridity in Contemporary Cultural Theory and Artistic Practice"

LA QUESTION REPUBLICAINE EN AUSTRALIE

Martine Piquet (Université Paris IX-Dauphine): "Républicanisme, Nationalisme et australianité"
Xavier Pons (Université de Toulouse-Le Mirail): "L'Australie en transition"

LA SOCIETE ANGLAISE PENDANT LA SECONDE GUERRE MONDIALE

Stéphanie Amar-Flood (Université de Paris I-Panthéon-Sorbonne): "'How the Other Half-Live': Evacuation 1939-1945"
Michael Parsons (Université de Pau): "English Society and the Second World War"
Paul Addison (Centre for Second World War Studies, University of Edinburgh): "Churchill and British Politics During the Second World War"
Asa Briggs: "The Influence of Broadcasting on Attitudes Towards Post-War Britain"
Antoine Capet (Université de Rouen): "Britain in the Second World War: Appraisals and Reappraisals"
Peter Thompson (University of Portsmouth): "Popular Aspirations in the Second World War: a Difference of Degree or Order"

LES MEDIAS ET L'INFORMATION AUX ETATS-UNIS

Françoise Clary (Université de Rouen): "Les Noirs et les médias aux États-Unis: les origines du journalisme noir"
Daniel Peltzman (Université de Franche-Comté): "Un exemple du traitement de l'information de journaux américains face à un conflit social"
Larry Portis (Université Blaise Pascal): "Progressive Media Criticism in the United States From George Seldes to F.A.I.R".
Sylvia Ullmo (Université François Rabelais - Tours): "Les médias américains: quatrième pouvoir ou miroir dépoli?"

QWERTY CAPES 3

WILLIAM SHAKESPEARE

DANIEL DEFOE

KATHERINE MANSFIELD

LES MEDIAS ET L'INFORMATION AUX ETATS-UNIS

Qwerty 6 Agrégation: Contents [on British civilisation go direct to: John Stuart Mill and English Society during WW2]

WILLIAM SHAKESPEARE

Vance Adair (University of Stirling): "Rewriting The (S)crypt: Gazing on Hamlet's Interiors"
Roy J. Booth (Royal Holloway, University of London): "'As mad as he': simile, analogy and likeness in Hamlet"
Edna Zwick Boris (La Guardia Community College, City University of New York): "To Soliloquize or Not to Soliloquize"
Martin Coyle (University of Wales, Cardiff): "Hamlet, Gertrude and the Ghost: The Punishment of Women in Renaissance Drama"
Lisa Hopkins (Sheffield Hallam University): "Discovered Countries: Hamlet and Europe"
Erick Kelemen (University of Delaware): "Hamlet and the Prodigal Son"
André Lorant (Paris Xll): "D'Amleth à Hamlet: de la légende à la tragédie"
Richard Madelaine (University of New South Wales): "Over the Nasty Sty: Sex, Death and Hamlet's Alienation"
Anne Owens (Montpellier): "The Theatre as a Mirror Held to the Theatre: Everyman Out of his Humour and Hamlet"
Jean-Pierre Villquin (Université de Nantes) "Spectacle et spectaculaire dans Hamlet"

WILLIAM BLAKE

Marc Porée (Paris IV): "'Ruinous fragments of life,' ou le Livre d'Urizen de A à Z (ou presque)"

ANN RADCLIFFE

Victor Sage (University of East Anglia, Norwich): "The Epistemology of Error: Reading and Isolation in The Mysteries of Udolpho"

CHARLES DICKENS

Émilienne Baneth-Nouailhetas (Paris III): " Textiles et texte: la parole vestimentaire dans David Copperfield"
Laurent Bury (Paris IV): "L'Écriteau et l'ornement: la prolifération des signes dans David Copperfield"
Michael Hollington (Université de Toulon et du Var): "David Copperfield and Wilhelm Melster: A Preliminary Rapprochement"
Catherine Lanone (Toulouse II): "Ruptures mnémoniques et tissage narratif dans David Copperfield"

HAROLD PINTER

Louise M. Miller (University of New South Wales): "Demonising the Domestic: The Menacing Objects of The Caretaker"

PAUL AUSTER

Androw Addy (Manchester University): "Narrating the Self: Story-Telling as Personal Myth-Making in Paul Auster's Moon Palace"
Carlo Brooks (Université de Pau): "L'appartenance du monde dans Moon Palace et Libra"
Florence Césari-Stricker (Paris IX): "Moon Palace ou les avatars du programme"
Nathalie Cochoy (Toulouse II): "Moon Palace, ou la formation du lecteur"
William Dow (American University of Paris): "Never Being 'This Far From Home': Paul Auster and Picturing Moonlight Spaces"
Sylvain Floc'h (Université de Pau): "Ascétisme et austérité dans Moon Palace"
Mireille Hardy (IUT Cherbourg): "Ceci n'est pas une lune: I'image-mirage de Moon Palace"
Monica Michlin (Paris IV): "Bitter-Sweet Gravity: Moon Palace"
Sophie Vallas (Université de Savoie): "Moon Palace: Marco autobiographe, ou les errances du Bildungsroman"

JOHN STUART MILL

Michel Prum (Paris Vll): ''John Stuart Mill critique de William Thompson"
Jonathan Riley (Tulane University): "On Liberty and the Periclean Ideal"
Jonathan Wolff (University College, London): "John Stuart Mill, Liberalism and Offence"

LA POLITIQUE INDIENNE DES ÉTATS-UNIS AU XIXE SIECLE

Françoise Clary (Université de Rouen): "Indiens et noirs: ethnocentrisme et acculturation dans l'Amérique de la Guerre de Sécession"
Donald L. Fixico (Western Michigan University): "A Native View of the Five Civilized Tribes in Indian Territory and U.S. Indian Policy, 1830-1890"
Jeanne-Henriette Louis (Université d'Orléans): "Sauver les Amérindiens en les 'civilisant': mission impossible pour les quakers (1869- 1878)"
Élise Marienstras (Paris VII): "Le statut des autochtones: Incertitudes et contradictions dans la politique indienne des Etats-Unis"
Géraldine Raymond (Paris): "From Athapaskan to Navajo: The Unasked Questions"
Serge Ricard (Université de Provence): "Squatter Expansionism and Benevolent Elimination: Senator Thomas Hart Benton and Indian Policy, 1821-1851"
Bernadette Rigal-Cellard (Bordeaux III): "Les traités entre les États-Unis et les Chippowa Saguinaw du Michigan de 1836 à 1864"
Al Schwarz (California State University, San Marcos) : "Turning Red Land White: what Allotment means in Native American History"

LA SOCIÉTÉ BRlTANNlQUE EN GUERRE (1939-1945)

Valérie André (Université de Poitiers): "L'esprit de Munich"
Brad Beaven/John Griffiths: (University of Portsmouth/Manchester Metropolitan University): "Reconstructing Civilian Morale: The Blitz in England, 1940-1942"
Claire Charlot/lrène Hill (Paris III/Oxford Brookes University): "A Medley of Memories"
Gilbert Moreau (Toulouse II): "L'accès à la culture: un enjeu social. La participation à l'effort de guerre, accélérateur de la demande"
Janie Mortier (Paris XIII): "Le Unity Theatre: du front populaire à la fin de la guerre"
Michael Parsons (Université de Pau et des Pays de l'Adour): "The Spirit of Dunkirk"
François Poirier (Paris XIII): "Les syndicats britanniques et la deuxième guerre mondiale"

Contents QWERTY CAPES 2

WILLIAM SHAKESPEARE

Vance Adair (University of Stirling): "Rewriting The (S)crypt: Gazing on Hamlet's Interiors"
Roy J. Booth (Royal Holloway, University of London): "'As mad as he': simile, analogy and likeness in Hamlet"
Edna Zwick Boris (La Guardia Community College, City University of New York): "To Soliloquize or Not to Soliloquize"
Martin Coyle (University of Wales, Cardiff): "Hamlet, Gertrude and the Ghost: The Punishment of Women in Renaissance Drama"
Lisa Hopkins (Sheffield Hallam University): "Discovered Countries: Hamlet and Europe"
Erick Kelemen (University of Delaware): "Hamlet and the Prodigal Son"
André Lorant (Paris XII): "D'Amleth à Hamlet: de la légende à la tragédie"
Richard Madelaine (University of New South Wales): "Over the Nasty Sty: Sex, Death and Hamlet's Alienation"
Anne Owens (Montpellier): "The Theatre as a Mirror Held to the Theatre: Everyman Out of his Humour and Hamlet"
Jean-Pierre Villquin (Université de Nantes): "Spectacle et spectaculaire dans Hamlet"

CHARLES DICKENS

PAUL AUSTER

LA SOCIÉTÉ BRlTANNlQUE EN GUERRE (1939-1945)

Valérie André (Université de Poitiers): "L'esprit de Munich"
Brad Beaven/John Griffiths (University of Portsmouth/Manchester Metropolitan University): "Reconstructing Civilian Morale: The Blitz in England, 1940-1942"
Claire Charlot/lrène Hill (Paris III/Oxford Brookes University): "A Medley of Memories"
Gilbert Moreau (Toulouse II): "L'accès à la culture: un enjeu social. La participation à l'effort de guerre, accélérateur de la demande"
Janie Mortier (Paris XIII): "Le Unity Theatre: du front populaire à la fin de la guerre"
Michael Parsons (Université de Pau et des Pays de l'Adour): "The Spirit of Dunkirk"
François Poirier (Paris XIII): "Les syndicats britanniques et la deuxième guerre mondiale"

How to order:

QWERTY Agrég 8 (355 pages), 210,00 francs (incl. p &p). 178.50 for ten or more copies (1 cheque/1 order), add 20 % for DOM/TOM and 30 % outside France,

QWERTY CAPES 4 (130 pages), 100,00 francs, 85.00 for ten or more copies (1 cheque/1 order), add 20 % for DOM/TOM and 30 % outside France

QWERTY Agrég 7 (298 pages), 190,00 francs(incl. p &p). 161.50 for ten or more copies (1 cheque/1 order), add 20 % for DOM/TOM and 30 % outside France,

QWERTY CAPES 3 (109 pages), 90,00 francs (also reduced price for grouped purchases, contact PUP (e-mail below)

QWERTY Agrég 6 (450 pages), 210.00 francs (incl. p&p)

QWERTY CAPES 2 (200 pages), 150.00 francs (incl. p&p)

send cheque to

Publications de l'Université de Pau
B.U. Sciences
Avenue de l'Université
64000 Pau (France)

tel: 05 59 92 33 47 (+33 5 59 92 33 47), fax 05 59 92 32 75 (+33 5 59 92 32 75)

made out to M. l'Agent comptable de l'Université de Pau

e-mail: pup@univ-pau.fr

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Last update 24 Novembre 1997