Oral - Épreuves à option : Littérature
Julian Barnes, Flaubert's Parrot
BIBLIOGRAPHIE
Vanessa Guignery (vanessaguignery@wanadoo.fr) — Université de Paris IV — Sorbonne.
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Oral - Épreuves à option : Littérature Julian Barnes, Flaubert's Parrot BIBLIOGRAPHIE Vanessa Guignery (vanessaguignery@wanadoo.fr) — Université de Paris IV — Sorbonne. --------- |
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Le centre de recherches de Paris IV "Écritures
du roman contemporain de langue anglaise" dirigé par François
Gallix et Vanessa Guignery recevra Julian Barnes pour une conférence-débat
le mercredi 14 novembre 2001 à 19h à l'amphithéâtre
Guizot en Sorbonne. L'entrée est libre. Voir page des colloques
de la SAES
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Index :
Site internet : http://www.julianbarnes.com
1. Metroland. 1980. London: Picador, 1981. (Metroland. Trad. Jean-Pierre Aoustin. Paris: Denoël, collection "Empreinte", 1995).
2. Before She Met Me. 1982. London: Picador, 1983. (Avant moi. Trad. Michel Courtois-Fourcy. Paris: Denoël, collection "Empreinte", 1991).
3. Flaubert's Parrot. 1984. London: Picador, 1985. (Le Perroquet de Flaubert. Trad. Jean Guiloineau. Paris: Stock, Bibliothèque Cosmopolite, 1986).
4. Staring at the Sun. 1986. London: Picador, 1987. (Le Soleil en face. Trad. Raymond Las Vergnas. Paris: Stock, collection "Nouveau cabinet cosmopolite", 1987).
5. A History of the World in 10 1/2 Chapters. 1989. London: Picador, 1990. (Une Histoire du monde en 10 chapitres 1/2. Trad. Michel Courtois-Fourcy. Paris: Stock, collection "Nouveau cabinet cosmopolite", 1990).
6. Talking It Over. 1991. London: Picador, 1992. (Love, etc.. Trad. Raymond Las Vergnas. Paris: Denoël, collection "Empreinte", 1992).
7. The Porcupine. 1992. London: Picador, 1993. (Le Porc-épic. Trad. Raymond Las Vergnas. Paris: Denoël, collection "Empreinte", 1993).
8. Letters from London 1990-1995. London: Picador, 1995. (Lettres de Londres. Trad. Josette Chicheportiche et Maryse Leynaud. Paris: Denoël, collection "Empreinte", 1996).
9. Cross Channel. London: Jonathan Cape, 1996. (Outre-Manche. Trad. Jean-Pierre Aoustin. Paris: Denoël, collection "Empreinte", 1998).
10. England, England. London: Jonathan Cape, 1998. (England, England. Trad. Jean-Pierre Aoustin. Paris: Mercure de France, 2000).
11. Love, etc. London: Jonathan Cape, 2000. (Dix ans après. Trad. Jean-Pierre Aoustin. Paris : Mercure de France, à paraître en janvier 2002).
12. Something to Declare. London: Picador, 2002. (A paraître en janvier)
(Sous le nom de Dan Kavanagh)
13. Duffy. 1980. In The Duffy Omnibus. Harmondsworth: Penguin, 1991. (Duffy. Trad. Phillipe Loubat-Delranc. Paris: Actes Sud, 1991).
14. Fiddle City. 1981. In The Duffy Omnibus. Harmondsworth: Penguin, 1991. (Vol à tous les étages. Trad. Phillipe Loubat-Delranc. Paris: Actes Sud, 1993).
15. Putting the Boot in. 1985. In The Duffy Omnibus. Harmondsworth: Penguin, 1991. (Arrêt de jeu. Trad. Richard Matas. Paris: Actes Sud, 1991).
16. Going to the Dogs. 1987. In The Duffy Omnibus. Harmondsworth: Penguin, 1991. (Tout fout le camp. Trad. Christine Le Bœuf. Paris: Actes Sud, 1991).
2. Nouvelles de Julian Barnes. (haut de la page)
17. "The Writer Who Liked Hollywood." New Statesman 2 July 1982: 18-20.
18. "The 50p Santa. A Duffy Detective Story." (sous le nom de Dan Kavanagh) Time Out 19 Dec. 1985-1 Jan. 1986: 12-13.
19. "One of a Kind." The Penguin Book of Modern British Short Stories. Ed. Malcolm Bradbury. Harmondsworth, Penguin Books: 1987. 400-06.
20. "Hamlet in the Wild West." Index on Censorship. 23. 4-5 (Sept 1994): 100-3.
21. "The Revival." New Yorker 5 Aug. 1996: 62-67.
22. "A Short History of Hairdressing." New Yorker 22 Sept. 1997: 120-29.
23. "Vigilance." TLS 4 Sept. 1998: 6-7.
24. "Hygiene." New Yorker 6 Sept. 1999: 68-72.
25. "Appetite." Areté 2 (Spring/Summer 2000): 53-61.
26. "The Story of Mats Israelson." New Yorker 24 July 2000: 62-70.
3. Textes de Julian Barnes sur Gustave Flaubert. (haut de la page)
27. "Flaubert’s Refrigerated Heart." Rev. of The Letters of Gustave Flaubert 1830-1857, ed. and trans. Francis Steegmuller. Sunday Times 30 Mar. 1980: 41.
28. "Flaubert and Rouen." Listener 18 Aug. 1983: 14-15.
* 29. "The Follies of Writer Worship." New York Times 17 Feb. 1985: BR1+.
* 30. "The Thunderous Presence of l'Homme-Plume." Rev. of Carnets de travail, by Gustave Flaubert. TLS 7-13 Oct. 1988: 1090-92.
* 31. "The Furious Bourgeois." Rev. of Correspondance, III: janvier 1859-décembre 1868, by Gustave Flaubert. Ed. Jean Bruneau. TLS 6 Sept. 1991: 3-5.
* 32. "Unlikely Friendship." Rev. of Flaubert-Sand: The Correspondence, trans. Francis Steegmuller and Barbara Bray. New York Review of Books 10 June 1993: 5+.
33. "Romancing Flaubert." Rev. of Rage and Fire: A Life of Louise Colet, Pioneer Feminist, Literary Star, Flaubert's Muse, by Francine du Plessix Gray. New York Review of Books 26 May 1994: 12-16.
34. Preface. Dictionary of Accepted Ideas. By Gustave Flaubert. Harmondsworth: Penguin, 1994. 5-11.
35. Préface. Le Sottisier. De Gustave Flaubert. Trad. Emma Ducamp. Mesnil-sur-l'Estrée: NIL éditions, 1995. 7-16.
36. "Cher Gustave... Sur la France." Nouvel Observateur 29 jan. 1998: 89.
* 37. "No One Suffers As Much." Rev. of Correspondance, IV: 1869-1875, by Gustave Flaubert. Ed. Jean Bruneau. TLS 18 Dec. 1998: 3-5.
38. "Justin: A Small Major Character." The Process of Art Essays on Nineteenth-Century French Literature, Music, and Painting in Honour of Alan Raitt. Ed. Michael Freeman, Elizabeth Fallaize, Jill Forbes, Toby Garfitt, et al. Oxford: Clarendon Press, 1998. 1-10.
39. "Book into film: Chabrol’s Madame Bovary." Writers at the Movies: Twenty-Six Contemporary Authors Celebrate Twenty-Six Memorable Movies. Ed. Jim Shepard. New York: Perennial, 2000. 1-15. (version longue de "Films, Flaubert and Fidelity." Observer 18 Oct. 1992: 34+.)
40. "Seeing and dreaming." Rev. of Flaubert and the Pictorial Arts, by Adrianne Tooke. TLS 19 May 2000 : 8.
41. "Influences — Single-Handed." New Yorker 25 Dec. 2000-1 Jan. 2001: 114-15.
1. Présentation générale de l’œuvre de Julian Barnes. (haut de la page)
41. Billen, Andrew. "Two Aspects of a Writer." Observer Magazine 7 July 1991: 25+.
42. Colby, Vineta, ed. World Authors: 1980-1985. New York: H.W. Company, 1991. 68-72.
43. Gallix, François. Le Roman britannique du XXe siècle: modernistes et postmodernes. Paris: Masson, 1995. 121-31.
44. Guignery, Vanessa. Postmodernisme et effets de brouillage dans la fiction de Julian Barnes. Villeneuve d'Ascq : Presses Universitaires du Septentrion, 2001, ISBN : 2-284-02172-7. 735p. Thèse à la Carte n° 32133. Directeur de thèse : Monsieur le Professeur François Gallix. Université de Paris IV.
45. Guignery, Vanessa. Flaubert’s Parrot de Julian Barnes. Paris: CNED/Armand COLIN, 2001.
46. Guignery, Vanessa. Julian Barnes. L’art du mélange. Bordeaux : Presses Universitaires de Bordeaux, 2001. 128p.
47. Hawtree, Christopher. "Novel Escape." Times 13 Jan. 1996: 19+.
48. Marowski, Daniel G. and Roger Matuz, eds. Contemporary Literary Criticism. Vol. 42. Detroit, Michigan: Gale Research Company, 1987. 24-30.
49. Moseley, Merritt. Understanding Julian Barnes. Columbia: University of South Carolina Press, 1997. 198p.
50. Pateman, Matthew. A Critical Study of the Fiction of Julian Barnes with Reference to Selected Theories of Narrative and Legitimation. (Dr. Richard Brown) Diss. Leeds University, 1995. 254p.
51. Porter, Henry. "The Heart of a Man of Letters." Independent on Sunday 2 Apr. 1995: 4-6.
52. Sesto, John Bruce. The Fictional World of Julian Barnes. (Dr. Thomas Flanagan) Diss. State University of New York at Stony Brook, 1995. 207p.
53. Stout, Mira. "Chameleon Novelist." New York Times 22 Nov. 1992, sec. 6: 29+.
54. Todd, Richard. "Domestic Performance: Julian Barnes and the Love Triangle." Consuming Fictions. The Booker Prize and Fiction in Britain Today. London: Bloomsbury, 1996. 260-280.
55. Wroe, Nicholas. "Literature’s Mister Cool." Guardian (http://www.guardianunlimited. co.uk/ Archive/Article/0,4273,4045327,00.html) 29 July 2000.
2. Articles ou parties d’ouvrages sur Flaubert’s Parrot.. (haut de la page)
* 56. Audigier, Jean-Pierre. "Ackroyd, Barnes, Swift ou la représentation vive." TLE 7 (1989): 39-48.
* 57. Bell, William. "Not Altogether a Tomb. Julian Barnes: Flaubert's Parrot." Imitating Art: Essays in Biography. Ed. David Ellis. London: Pluto Press, 1993. 149-173.
* 58. Bouillaguet, Annick. "Le pastiche de genre : Le perroquet de Flaubert." L'Ecriture imitative. Pastiche, parodie, collage. Paris: Nathan Université, Fac.: 1996. 47-66.
* 59. Brooks, Neil. "Interred Textuality: The Good Soldier and Flaubert's Parrot." Critique: Studies in Contemporary Fiction 41(1) (Fall 1999): 45-51.
60. Elias, Amy J.. "Meta-mimesis? The Problem of British Postmodern Realism." British Postmodern Fiction. Eds. Theo D’Haen and Hans Bertens. Amsterdam/Atlanta: Rodopi - Postmodern Studies 7, 1993. 9-31.
61. Gasiorek, Andrzej. "Postmodernism and the Problem of History. Julian Barnes." Post-War British Fiction. Realism and After. London: Edward Arnold, 1995. 158-65.
62. Guignery, Vanessa. "Palimpseste et pastiche génériques chez Julian Barnes." Etudes anglaises 50.1 (1997): 40-52.
63. Guignery, Vanessa. " ‘My wife ... died’: une mort en pointillé dans Flaubert's Parrot de Julian Barnes." Etudes britanniques contemporaines 17 (déc. 1999): 57-68.
64. Guignery, Vanessa. "Du psittacisme à l’émancipation? La transtextualité flaubertienne dans Flaubert’s Parrot de Julian Barnes." Etudes britanniques contemporaines 20 (juin 2001).
65. Guignery, Vanessa. "Le narrataire ou le lecteur de l’autre côté du miroir dans Flaubert’s Parrot de Julian Barnes." QWERTY (oct. 2001).
66. Higdon, David Leon. " 'Unconfessed Confessions': the Narrators of Graham Swift and Julian Barnes." The British and Irish Novel Since 1960. Ed. James Acheson. Houndsmill: Macmillan, 1991. 174-91.
67. Janik, Del Ivan. "No End of History: Evidence from the Contemporary English Novel." Twentieth Century Literature 41.2 (Summer 1995): 160-89.
68. Lee, Alison. Realism and Power: Postmodern British Fiction. London: Routledge, 1990. 1-4, 36-40, 46.
69. Newton, Adam Zachary. "Telling Others: Secrecy and Recognition in Dickens, Barnes and Ishiguro." Narrative Ethics. Harvard: Harvard University Press, 1995. 241-85.
70. Pateman, Matthew. "Julian Barnes and the Popularity of Ethics." Postmodern Surroundings. Ed. Steven Earnshaw. Amsterdam/Atlanta: Rodopi - Postmodern Studies 9, 1994. 179-89.
71. Pateman, Matthew. "Is There a Novel in this Text? Identities of Narrative in Flaubert's Parrot." L'Exil et l'allégorie dans le roman anglophone contemporain. Ed. Michel Morel. Paris: Ed. Messene / Collection "Dire le Récit", 1998. 35-47.
* 72. Petit, Michel. " 'Gourstave Flaubear': l'intertextualité contrastive comme procédé métafictionnel dans Flaubert's Parrot de Julian Barnes." Histoire et métafiction dans le roman contemporain des îles britanniques. Ed. Max Duperray. Aix-en-Provence: Publications de l'Université de Provence, 1994. 121-37.
* 73. Scott, James B.. "Parrot as Paradigms: Infinite Deferral of Meaning in Flaubert's Parrot." ARIEL 21. 3 (July 1990): 57-68.
74. Shepherd, Tania. "Towards a Description of Atypical Narratives: A study of the underlying organisation of Flaubert's Parrot." Language and Discourse (5) 1997: 71-95.
75. Todd, Richard. "Confrontation Within Convention: On the Character of British Postmodernist Fiction." Postmodern Fiction in Europe and the Americas. Eds. Theo D’Haen and Hans Bertens. Amsterdam/Atlanta: Rodopi - Postmodern Studies 1, 1988. 120-22.
76. Touaf, Larbi. Narration, représentation et lecture dans le roman anglais postmoderne: The French Lieutenant's Woman de John Fowles, The White Hotel de D.M. Thomas, Waterland de Graham Swift, Flaubert's Parrot de Julian Barnes. Villeneuve d'Ascq : Presses Universitaires du Septentrion, 1998, ISBN : 2-284-00421-0. 395p. Directeur de thèse : Monsieur le Professeur François Gallix. Université de Paris IV.
77. Wesseling, Elisabeth. Writing History as a Prophet: Postmodernist Innovations of the Historical Novel. Amsterdam and Philadelphia: John Benjamins Publishing Company, 1991. 121-22, 126-27, 149.
* 78. White, Patti. "Stuffed Parrots." Gatsby’s Party : The System and the List in Contemporary Narrative. West Lafayette, Indiana: Purdue U.P., 1992. 111-23.
79. Wood, James. "Julian Barnes and the Problem of Knowing Too Much." The Broken Estate: Essays on Literature and Belief. New York: Random House, 1999. 222-31.
3. Entretiens. (haut de la page)
80. "Bookclub." Radio 4. (http://www.bbc.co.uk/education/bookcase/bookclub/barnes/ transcript.shtml) 5 Dec. 1999. (extraits)
81. Freiburg, Rudolf. " ‘Novels come out of life, not out of theory’: An Interview with Julian Barnes." "Do you consider yourself a postmodern author?" Interviews with Contemporary English Writers. Eds. Rudolf Freiburg and Jan Schnitker. Reihe: Erlanger Studien zur Anglistik und Amerikanistik Bd.1, 1999. 39-66.
82. Guignery, Vanessa. "History in question(s): An Interview with Julian Barnes." Sources 8 (printemps 2000): 59-72.
83. McGrath, Patrick. "Julian Barnes." Bomb 21 (Fall 1987): 20-23.
84. Salgas, Jean-Pierre. "Julian Barnes n'en a pas fini avec Flaubert." Quinzaine Littéraire 463 (16-31 mai 1986): 13.
85. Swanson, Carl. "Old Fartery and Literary Dish." The Salon Interview (http://www.salon1999.com/weelky/interview960513.htm) 13 May 1996.
4. Sélection de critiques ("reviews").(haut de la page)
86. Bayley, John. "The Order of Battle at Trafalgar." The Order of Battle at Trafalgar and Other Essays. New York: Weidenfeld & Nicholson, 1987. 11-13.
87. Brooks, Peter. "Obsessed with the Hermit of Croisset." New York Times 10 Mar. 1985, sec. 7: 7+.
88. Coward, David. "The Rare Creature's Human Sounds." TLS 5 Oct. 1984: 1117.
89. Deveson, Richard. "Questions." New Statesman 12 Oct. 1984: 32.
90. Dirda, Michael. "Loulou, Want a Cracker?" Washington Post Book World 3 Mar. 1985: 4.
91. Fenton, James. "A Novelist with an Experiment: Discuss." Times 4 Oct. 1984: 13.
92. Geniès, Bernard. "Un Anglais, Flaubert et les perroquets." Quinzaine Littéraire 1-15 mai 1986: 7-8.
93. Kermode, Frank. "Obsessed with Obsession." New York Review of Books 25 Apr. 1985: 15-16.
94. Lehmann-Haupt, Christopher. "Books of the Times." New York Times 28 Feb. 1985: C20.
95. Rafferty, Terence. "Watching the Detectives." Nation 241.1 (July 6/13 1985): 21-22.
96. Rubin, Merle. "Flaubert's Parrot." Los Angeles Times 17 Mar. 1985: BR2+.
97. Tuten, Frederic. "Books." Artforum 24 (Sept. 1985): 13.
98. Updike, John. "A Pair of Parrots." New Yorker 22 July 1985: 86-87.
99. Wood, Michael. "Bovary and a Stuffed Bird." Sunday Times 7 Oct. 1984: 42.
5. Postmodernisme et littérature britannique contemporaine.(haut de la page)
a. Recueils de textes fondateurs. (haut de la page)
100. Brooker, Peter, ed. Modernism / Postmodernism. London and New York: Longman, 1992. 268p.
101. Docherty, Thomas, ed. Postmodernism: A Reader. New York: Harvester Wheatsheaf, 1993. 528p.
102. Smyth, Edmund J., ed. Postmodernism and Contemporary Fiction. London: Batsford, 1991. 206p.
b. Subversion du réalisme. (haut de la page)
* 103. Alexander, Marguerite. Flights from Realism: Themes and Strategies in Postmodernist British and American Fiction. London: Edward Arnold, 1990. 216p.
104. Gasiorek, Andrzej. Post-War British Fiction. Realism and After. London: Edward Arnold, 1995. 202p.
* 105. Lee, Alison. Realism and Power: Postmodern British Fiction. London: Routledge, 1990. 154p.
c. Historiographie. (haut de la page)
* 106. Connor, Steven. The English Novel in History: 1950-1995. London: Routledge, 1996. 260p.
107. Higdon, David Leon. Shadows of the Past in Contemporary British Fiction. 1984. Athens: University of Georgia Press, 1985. 219p.
108. Holmes, Frederick M. The Historical Imagination: Postmodernism and the Treatment of the Past in Contemporary British Fiction. Victoria, Canada: English Literary Studies, Monograph Series No. 73, 1997. 96p.
109. Holton, Robert. Jarring Witnesses. Modern Fiction and the Representation of History. New York: Harvester Wheatsheaf, 1994. 301p.
* 110. Wesseling, Elisabeth. Writing History as a Prophet: Postmodernist Innovations of the Historical Novel. Amsterdam and Philadelphia: John Benjamins Publishing Company, 1991. 219p.
d. Parodie et métafiction. (haut de la page)
111. Hutcheon, Linda. Narcissistic Narrative: The Metafictional Paradox. Waterloo, Ontario: Wilfrid Laurier University Press, 1980. 169p.
112. Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. London and New York: Methuen, 1985.
113. Rose, Margaret A.. Parody // Meta-fiction. An analysis of parody and a critical mirror to the writing and reception of fiction. London: Croom Helm, 1979. 197p.
114. Rose, Margaret A.. Parody: ancient, modern, and post-modern. Cambridge: Cambridge University Press, 1993. 316p.
115. Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London and New York: Methuen, 1984. 176p.
e. Divers. (haut de la page)
116. Dipple, Elizabeth. The Unresolvable Plot. Reading Contemporary Fiction. New York and London: Routledge, 1988. 274p.
117. Eagleton, Terry. The Illusions of Postmodernism. Oxford: Blackwell, 1996. 147p.
118. Hutcheon, Linda. A Poetics of Postmodernism. History, Theory, Fiction. New York and London: Routledge, 1988. 268p.
119. Hutcheon, Linda. The Politics of Postmodernism. London: Routledge, 1989. 195p.
120. McHale, Brian. Postmodernist Fiction. New York and London: Methuen, 1987. 264p.
121. McHale, Brian. Constructing Postmodernism. London and New York: Routledge, 1992. 342p.